Questions,
Answered.

Six: photo editing and retouching, video editing and post-production, content creation and production, graphic design, motion graphics and animation, and AI creative production. Most clients start with one and add others as the working relationship settles.

Yes. Commercial, product, fashion, portrait, corporate and social work all pass through the same studio. Weddings are a specialism, not a limit.

Yes, the whole workflow from one place. Gallery editing, colour, retouching, album design, the full film, highlights, teasers and vertical reels. You send the day; you get back everything you deliver to your client.

Yes, and it is the reason most wedding studios come to us. Handling both means the film and the gallery share one look, rather than arriving from two suppliers who have never spoken.

Yes. Layout, sequencing, spread design, visual consistency across the book, and print-ready preparation to your lab's specification. Revisions are part of the process.

Yes. Highlight films, teasers, ceremony and reception cuts, and vertical 9:16 reels cut specifically for social rather than cropped down from the landscape edit.

That is the core of how we work. Send previous galleries or finished films and we build to your look, not ours. Your client should see your style. That is the whole point of outsourcing well.

Please do. Presets, LUTs, camera profiles and export settings all help, and they make the first project noticeably faster.

Yes. Type, colour, logo usage, spacing rules, tone: send the guide and we work inside it.

Yes. Past work is often the most useful reference you can give us, because it shows the result rather than describing it.

Three stages. You send files and a brief; we organise, edit and review internally; you review, request changes, and we deliver the finals. The first project sets your preferences, and everything after it is faster.

It depends on the volume and the service, so we agree a delivery date with you before the work starts rather than quoting a blanket figure. Tell us your deadline when you send the brief and we will confirm what is realistic, including whether we can meet a tight one.

Yes, and we would rather you did. Send one image, one short sequence or a handful of frames and we will edit it to your style. The sample is the pitch, and it costs you nothing to judge the quality.

Yes. Recurring volume is what the studio is built for: regular weekly or monthly batches, seasonal overflow, and a consistent editor on your account so preferences do not have to be re-explained.

However you already work. Google Drive, Dropbox, WeTransfer or your own transfer system. Send a link and we will work from it. We do not ask you to adopt a new tool to become a client.

RAW files from any current camera system, along with the usual delivery formats. For video, camera-native footage plus your project file if you have one. If you are unsure, send a small test and we will confirm before you upload everything.

Through the same route the files arrived by, in the formats and sizes you specify: web-sized JPEGs, full-resolution TIFFs, print-ready album spreads, and video in the codecs and aspect ratios your delivery needs.

You review the first version and send notes, per image, per cut, or across the whole set. We revise and send the next version. The number of rounds included is agreed with your quote so it is clear from the start rather than discovered later.

Tell us specifically what is wrong and we will correct it. Early projects occasionally need more direction while we learn your preferences; that is expected and it is not billed as a change of scope.

Yes. The studio works remotely with photographers, videographers and agencies internationally, and across time zones, so work sent at the end of your day is in progress while you sleep.

Yes. We work behind your brand. Your client deals with you, receives work under your name, and never sees ours unless you choose to tell them.

Yes. Send yours and we will sign it, or we can provide one.

Pricing depends on the service, the volume and the turnaround, so it is quoted per project or per ongoing arrangement rather than from a fixed rate card. Send the details through the quote form and you will get a specific figure, not a range.

Yes. AI creative production is one of the six services. Generated imagery, AI video, compositing and extending real footage with generated elements.

No. AI is used where it genuinely helps and where you want it. A wedding gallery is edited by an editor; AI-assisted tools may speed up masking or cleanup, but the judgement stays human and nothing is generated into your photographs without your say-so.

Yes, and that is usually the strongest result: a real photograph or real footage as the foundation, with generated elements used deliberately for what could not be captured.

Yes. Material you send is used only to do your work. It is not shared, resold, or published, and it is not used as our portfolio unless you give explicit permission.

Yes, that is what white-label means. Finished work is yours to deliver, publish and credit as your own.